Monthly Archives: June 2012
Dan Flavin’s “Apollinaire Wounded”
Here, I want to present, without comment, Dan Flavin’s two tributes to the French poet, Guillame Apollinaire, which were shown at the Morgan Library’s recent exhibit, Dan Flavin: Drawing (17 Feb – 1 July, 2012). The first, “Apollinaire Wounded (to
Dan Flavin’s “Apollinaire Wounded”
Here, I want to present, without comment, Dan Flavin’s two tributes to the French poet, Guillame Apollinaire, which were shown at the Morgan Library’s recent exhibit, Dan Flavin: Drawing (17 Feb – 1 July, 2012). The first, “Apollinaire Wounded (to
But Let Us Return To The Plane; Again Let Us Return To The Plane.
About a year ago, I spent an afternoon hunkered down in a tent in the desert of the southwest corner of Oregon. I was dodging roaming clouds of gnats and an oppressive heat, and I was battling a sudden, heavy
But Let Us Return To The Plane; Again Let Us Return To The Plane.
About a year ago, I spent an afternoon hunkered down in a tent in the desert of the southwest corner of Oregon. I was dodging roaming clouds of gnats and an oppressive heat, and I was battling a sudden, heavy
Two Poems from DIA: Beacon
Max Neuhaus, “Time Piece Beacon,” (2005). Text accompanied by drawing representing sound crescendoing left to right, red to blue, ending in a thick black line, representing silence at the close of the sound loop which plays hourly at DIA: Beacon.
Two Poems from DIA: Beacon
Max Neuhaus, “Time Piece Beacon,” (2005). Text accompanied by drawing representing sound crescendoing left to right, red to blue, ending in a thick black line, representing silence at the close of the sound loop which plays hourly at DIA: Beacon.
mostperfectworld 