Monthly Archives: December 2012

/ GLS

Between The Ancients and The Moderns

It became a familiar curatorial move: the inclusion of a few works of contemporary art interspersed among collections of more venerable, more properly art-historical art.  The thinking seems clear: it’s win-win, isn’t it?  Potential stuffiness is relieved; connections are made;

/ GLS

Between The Ancients and The Moderns

It became a familiar curatorial move: the inclusion of a few works of contemporary art interspersed among collections of more venerable, more properly art-historical art.  The thinking seems clear: it’s win-win, isn’t it?  Potential stuffiness is relieved; connections are made;

/ RMW

The Past is Always a Step Ahead

I tend to talk a lot when I get excited. I often get excited when looking at art. This makes me not always the best of museum- or gallery-going companions, as sometimes I get to talking without really realizing other

/ RMW

The Past is Always a Step Ahead

I tend to talk a lot when I get excited. I often get excited when looking at art. This makes me not always the best of museum- or gallery-going companions, as sometimes I get to talking without really realizing other

/ GLS

Richard Serra In Public

Richard Serra is responsible for what is perhaps the most infamous public sculpture of modern times (possibly excepting some sundry effigies of deposed dictators.) The history and surrounding controversy of his Tilted Arc have been extensively documented and analyzed, and

/ GLS

Richard Serra In Public

Richard Serra is responsible for what is perhaps the most infamous public sculpture of modern times (possibly excepting some sundry effigies of deposed dictators.) The history and surrounding controversy of his Tilted Arc have been extensively documented and analyzed, and