Posts Tagged: Brooklyn Museum

/ GLS

Permanent Collection: Thomas Nozkowski, Untitled, 1979

It’s a small work, the horizontal format measuring something like sixteen by twenty inches. A single large abstract form, offset to the left, dominates the composition. This form resembles a lean-to shanty, associations strengthened by the context: to the left,

/ GLS

Permanent Collection: Thomas Nozkowski, Untitled, 1979

It’s a small work, the horizontal format measuring something like sixteen by twenty inches. A single large abstract form, offset to the left, dominates the composition. This form resembles a lean-to shanty, associations strengthened by the context: to the left,

/ GLS

You Have to Read a Lot

A small tour passed through the Lucy Lippard show at the Brooklyn Museum’s Elizabeth A. Sackler Center for Feminist Art.  “This art is conceptual,” explained the guide, “you have to read a lot to understand it.”  I am of at

/ GLS

You Have to Read a Lot

A small tour passed through the Lucy Lippard show at the Brooklyn Museum’s Elizabeth A. Sackler Center for Feminist Art.  “This art is conceptual,” explained the guide, “you have to read a lot to understand it.”  I am of at

/ GLS

Power Flight

Joe Overstreet’s Power Flight can be seen at the Brooklyn Museum.  The work, made in 1971, consists of multiple canvas panel– six of them– stained with acrylic.  The panels alternate red and black, except at the machine-sewn seams, which have

/ GLS

Power Flight

Joe Overstreet’s Power Flight can be seen at the Brooklyn Museum.  The work, made in 1971, consists of multiple canvas panel– six of them– stained with acrylic.  The panels alternate red and black, except at the machine-sewn seams, which have