Category Archives: RMW
The Past is Always a Step Ahead
I tend to talk a lot when I get excited. I often get excited when looking at art. This makes me not always the best of museum- or gallery-going companions, as sometimes I get to talking without really realizing other
The Past is Always a Step Ahead
I tend to talk a lot when I get excited. I often get excited when looking at art. This makes me not always the best of museum- or gallery-going companions, as sometimes I get to talking without really realizing other
“beneficial to business men”
“The non-objective picture is far superior to all others in its influential potentiality, educational power, and spiritual value to humanity… It stimulates intuition and trains the acquisition of spiritual balance and order… The contemplation of a non-objective picture offers a
“beneficial to business men”
“The non-objective picture is far superior to all others in its influential potentiality, educational power, and spiritual value to humanity… It stimulates intuition and trains the acquisition of spiritual balance and order… The contemplation of a non-objective picture offers a
Document for dOCUMENTA (13), Part III
Document for dOCUMENTA (13), Part III With over 50 works or installations scattered through Karlsaue park, it was possible, in the single afternoon I spent roaming the grounds, to visit only a fraction of these. Impressed as I was by
Document for dOCUMENTA (13), Part III
Document for dOCUMENTA (13), Part III With over 50 works or installations scattered through Karlsaue park, it was possible, in the single afternoon I spent roaming the grounds, to visit only a fraction of these. Impressed as I was by
Document for dOCUMENTA (13), Part II
Document for dOCUMENTA (13), Part II 9:30 Saturday morning, after a much-needed cup of coffee, I took the tram to the middle of town and started to head for the Neue Galerie. Over coffee, I’d discussed my plans for the
Document for dOCUMENTA (13), Part II
Document for dOCUMENTA (13), Part II 9:30 Saturday morning, after a much-needed cup of coffee, I took the tram to the middle of town and started to head for the Neue Galerie. Over coffee, I’d discussed my plans for the
Ben Lipkin’s “Bubble Entendre”
Images from Benjamin Lipkin’s “Bubble Entendre” at Place, a gallery in Portland, Oregon. (15th Sept. — 13th Oct.) Guest curator, Rachael Wilson. http://www.placepdx.com/ Photography by Ryan M. Wilson, http://rmwilsonphotography.com Special thanks to Place director, Gabe Flores.
Ben Lipkin’s “Bubble Entendre”
Images from Benjamin Lipkin’s “Bubble Entendre” at Place, a gallery in Portland, Oregon. (15th Sept. — 13th Oct.) Guest curator, Rachael Wilson. http://www.placepdx.com/ Photography by Ryan M. Wilson, http://rmwilsonphotography.com Special thanks to Place director, Gabe Flores.
Document for dOCUMENTA, Part 1*
Two days at dOCUMENTA (13) felt like an infinitely brief but massively dense instant. On the train ride from Berlin, I wound up like a spring; when I hit the Wilhemshöhe Bahnhof at 1pm on Friday, I started running. This,
Document for dOCUMENTA, Part 1*
Two days at dOCUMENTA (13) felt like an infinitely brief but massively dense instant. On the train ride from Berlin, I wound up like a spring; when I hit the Wilhemshöhe Bahnhof at 1pm on Friday, I started running. This,
Bubble Entendre
Bubble Entendre is work by Benjamin Lipkin, curated by Rachael Wilson at Place, a gallery in Portland, Oregon. The show opens Saturday, September 15th and closes the 15th of October, 2012. The following is from the artist’s statement for the
Bubble Entendre
Bubble Entendre is work by Benjamin Lipkin, curated by Rachael Wilson at Place, a gallery in Portland, Oregon. The show opens Saturday, September 15th and closes the 15th of October, 2012. The following is from the artist’s statement for the
Photos from “Distance, Stance, Circumstance” at Place, a gallery in Portland, OR
“Distance, Stance, Circumstance” at Place, a gallery in Portland, Oregon (18.08.12 — 15.09.12). Works by Katherine Bauer, Davida Newman, Michelle Young Lee, David Flaugher and James Woodward. Curated by Rachael Wilson with assistance from Place director Gabe Flores.
Photos from “Distance, Stance, Circumstance” at Place, a gallery in Portland, OR
“Distance, Stance, Circumstance” at Place, a gallery in Portland, Oregon (18.08.12 — 15.09.12). Works by Katherine Bauer, Davida Newman, Michelle Young Lee, David Flaugher and James Woodward. Curated by Rachael Wilson with assistance from Place director Gabe Flores.
Distance, Stance, Circumstance
Opening on Saturday, Aug. 18th, 5 p.m. Show runs Aug. 18th–Sept. 14th In the White gallery at Place (Portland, OR), an exhibition curated by Rachael Wilson, featuring works by Katherine Bauer, David Flaugher, Davida Newman, James Woodward, and Michelle Young
Distance, Stance, Circumstance
Opening on Saturday, Aug. 18th, 5 p.m. Show runs Aug. 18th–Sept. 14th In the White gallery at Place (Portland, OR), an exhibition curated by Rachael Wilson, featuring works by Katherine Bauer, David Flaugher, Davida Newman, James Woodward, and Michelle Young
Dan Flavin’s “Apollinaire Wounded”
Here, I want to present, without comment, Dan Flavin’s two tributes to the French poet, Guillame Apollinaire, which were shown at the Morgan Library’s recent exhibit, Dan Flavin: Drawing (17 Feb – 1 July, 2012). The first, “Apollinaire Wounded (to
Dan Flavin’s “Apollinaire Wounded”
Here, I want to present, without comment, Dan Flavin’s two tributes to the French poet, Guillame Apollinaire, which were shown at the Morgan Library’s recent exhibit, Dan Flavin: Drawing (17 Feb – 1 July, 2012). The first, “Apollinaire Wounded (to
Two Poems from DIA: Beacon
Max Neuhaus, “Time Piece Beacon,” (2005). Text accompanied by drawing representing sound crescendoing left to right, red to blue, ending in a thick black line, representing silence at the close of the sound loop which plays hourly at DIA: Beacon.
Two Poems from DIA: Beacon
Max Neuhaus, “Time Piece Beacon,” (2005). Text accompanied by drawing representing sound crescendoing left to right, red to blue, ending in a thick black line, representing silence at the close of the sound loop which plays hourly at DIA: Beacon.
Experiens Sillemans
While visiting New York’s Museum of Modern Art (MOMA) this past Saturday, I stumbled on a piece of anachronism in the form of two early 17th-Century Dutch pen paintings (penschilderingen) authored by the Dutch draughtsman and engraver, Experiens Sillemans. The
Experiens Sillemans
While visiting New York’s Museum of Modern Art (MOMA) this past Saturday, I stumbled on a piece of anachronism in the form of two early 17th-Century Dutch pen paintings (penschilderingen) authored by the Dutch draughtsman and engraver, Experiens Sillemans. The
A Double Story
“I will tell a double story. For at one time they grew to be only one out of many, but at another they grew apart to be many out of one: fire and water and earth and the immense height
A Double Story
“I will tell a double story. For at one time they grew to be only one out of many, but at another they grew apart to be many out of one: fire and water and earth and the immense height
mostperfectworld 